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Jennifer Lawrence Bio
Jennifer Lawrence (born August 15, 1990) is an American actress. Since 2015, Lawrence has been the highest-paid actress in the world, and her films have grossed over $5 billion worldwide. She appeared in Time‘s 100 most influential people in the world in 2013 and Forbes Celebrity 100 the following year and in 2016.
During her childhood, Lawrence performed in church plays and school musicals. When she was 14, a talent scout spotted her in New York. She then moved to Los Angeles and began her acting career by playing guest roles in television shows. Her first major role came as a main cast member on the sitcom The Bill Engvall Show (2007–2009). Lawrence made her film debut with a supporting role in Garden Party (2008), and had her breakthrough playing a poverty-stricken teenager in the independent drama Winter’s Bone (2010). She achieved wider recognition for playing the mutant Mystique in X-Men: First Class (2011), a role she reprised in later installments of the series.
Lawrence’s fame continued to grow with her starring role as Katniss Everdeen in the Hunger Games film series (2012–2015), which established her as the highest-grossing action heroine of all time. She went on to earn various accolades from her collaborations with director David O. Russell. Her performance as a depressed widow in the romance film Silver Linings Playbook (2012) received an Academy Award for Best Actress, making her the second youngest Best Actress Oscar winner. Lawrence subsequently won a BAFTA Award for Best Actress in a Supporting Role for playing a troubled wife in the black comedy American Hustle (2013). She also received Golden Globe Awards for her roles in both of these films and for playing the title inventor in the biopic Joy (2015).
Lawrence is known in the media for being a vocal advocate of feminism and gender equality, and is the founder of the Jennifer Lawrence Foundation through which she supports various charitable organizations.
2006–2010: Career beginnings and breakthrough
Lawrence began her acting career with a minor role in the television film Company Town (2006). She followed it with guest roles in several television shows, including Monk (2006) and Medium (2007). These parts led to her being cast as a series regular on the TBS sitcom The Bill Engvall Show, in which she played Lauren, the rebellious teenage daughter of a family living in suburban Louisville, Colorado. The series premiered in 2007 and ran for three seasons. Tom Shales of The Washington Post considered her a scene stealer in her part, and David Hinckley of the New York Daily News wrote that she was successful in “deliver[ing] the perpetual exasperation of teenage girls”. Lawrence won a Young Artist Award for Outstanding Young Performer in a TV Series for the role in 2009.
Lawrence made her film debut in the 2008 drama film Garden Party, in which she played a troubled teenager named Tiff. She then appeared in director Guillermo Arriaga’s feature film debut The Burning Plain (2008), a drama narrated in a hyperlink format. She was cast as the teenage daughter of Kim Basinger‘s character who discovers her mother’s extramarital affair—a role she shared with Charlize Theron; both actresses portrayed the role at different stages of the character’s life. Mark Feeney for The Boston Globe thought of Lawrence’s performance as “a thankless task”, but Derek Elley from Variety praised her as the production’s prime asset, writing that she “plumbs fresher depths” into the film. Her performance earned her the Premio Marcello Mastroianni award for Best Emerging Actress at the Venice Film Festival. Also that year, she appeared in the music video for the song “The Mess I Made” by Parachute. The following year, she starred in Lori Petty’s drama The Poker House as the oldest of three sisters living with a drug-abusing mother. Stephen Farber of The Hollywood Reporter thought that Lawrence “has a touching poise on camera that conveys the resilience of children”, and her role in The Poker House won an Outstanding Performance award from the Los Angeles Film Festival.
Lawrence’s breakthrough role came in the small-scale drama Winter’s Bone (2010), based on Daniel Woodrell’s novel of the same name. In Debra Granik’s independent feature, she portrayed Ree Dolly, a poverty-stricken teenager in the Ozark Mountains who cares for her mentally ill mother and younger siblings while searching for her missing father. Lawrence traveled to the Ozarks a week before filming began to live with the family on whom the story was based, and in preparation, she learned to fight, skin squirrels, and chop wood. David Denby of The New Yorker said the film “would be unimaginable with anyone less charismatic”, and Peter Travers of Rolling Stone wrote that “her performance is more than acting, it’s a gathering storm. Lawrence’s eyes are a roadmap to what’s tearing Ree apart.” The production won the Grand Jury Prize at the Sundance Film Festival. The actress was awarded the National Board of Review Award for Breakthrough Performance, and with her first nomination for the Academy Award for Best Actress, she became the second youngest person to be nominated in the category.
2011–2013: Film series and awards success
In 2011, Lawrence took on a supporting role in Like Crazy, a romantic drama about long-distance relationships, starring Anton Yelchin and Felicity Jones. A writer for the Los Angeles Times considered the film to be an “intensely wrought and immensely satisfying love story” and credited all three performers for “making their [characters’] yearning palpable”. She then appeared in Jodie Foster‘s black comedy The Beaver alongside Foster and Mel Gibson. Filmed in 2009, the production was delayed due to controversy concerning Gibson, and earned less than half of its $21 million budget.
After her dramatic role in Winter’s Bone, Lawrence looked for something less serious, and found it with her first high-profile release—Matthew Vaughn’s superhero film X-Men: First Class (2011)—a prequel to the X-Men film series. She portrayed the shapeshifting mutant Mystique, a role played by Rebecca Romijn in the earlier films. Vaughn cast Lawrence as he thought that she would be able to portray the weakness and strength involved in the character’s transformation. Lawrence lost weight for the part, and for Mystique’s blue form had to undergo an eight-hour make-up, as Romijn had done on the other films. She was intimidated in the role as she admired Romijn. Writing for USA Today, Claudia Puig considered the film to be a “classy re-boot” of the film series, and believed that her “high-spirited performance” empowered the film. With a worldwide gross of $350 million, X-Men: First Class became Lawrence’s most widely seen film to that point.
In 2012 she played Katniss Everdeen in The Hunger Games, an adaptation of the first book in author Suzanne Collins’ Hunger Games trilogy. Set in a post-apocalyptic future, the series tells the story of the teenage heroine Everdeen as she joins rebel forces against a totalitarian government after winning a brutal televised annual event. Despite being an admirer of the books, Lawrence was initially hesitant to accept the part, because of the grand scale of the film. She agreed to the project after her mother convinced her to take the part. She practiced yoga, archery, rock and tree climbing, and hand-to-hand combat techniques for the role. While training for the part, she injured herself running into a wall. The film received generally positive reviews, and Lawrence’s portrayal of Everdeen was particularly praised. Todd McCarthy of The Hollywood Reporter called her an “ideal screen actress”, adding that she embodies the Everdeen of the novel, and believed that she anchored the film “with impressive gravity and presence”. Roger Ebert agreed that she was “strong and convincing in the central role”. With worldwide revenues of over $690 million, The Hunger Games became a top-grossing film featuring a female lead, making Lawrence the highest-grossing action heroine of all time. The success of the film established her as a star.
Later in 2012, Lawrence played a young depressed widow named Tiffany Maxwell in David O. Russell’s romance movie Silver Linings Playbook. The film was an adaptation of the Matthew Quick’s novel of the same name. It follows her character finding companionship with Pat Solitano Jr. (played by Bradley Cooper), a man with bipolar disorder. The actress was drawn to her character’s complex personality: “She didn’t really fit any basic kind of character profile. Somebody who is very forceful and bullheaded is normally very insecure, but she isn’t”. Russell considered Lawrence to be too young for the part; she convinced him to hire her via a Skype audition. She found herself challenged by Russell’s spontaneity as a director, and described working on the project as the “best experience of my life”. Richard Corliss of Time wrote: “Just 21 when the movie was shot, Lawrence is that rare young actress who plays, who is, grown-up. Sullen and sultry, she lends a mature intelligence to any role.” Peter Travers believed that Lawrence “is some kind of miracle. She’s rude, dirty, funny, foulmouthed, sloppy, sexy, vibrant, and vulnerable, sometimes all in the same scene, even in the same breath.” She won the Golden Globe and Academy Award for Best Actress for her performance in the film, becoming—at age 22—the second youngest Best Actress Oscar winner. Her final release of the year was alongside Max Thieriot and Elisabeth Shue in Mark Tonderai’s critically panned thriller House at the End of the Street.
The Devil You Know, a small-scale production that Lawrence had filmed for in 2005, was her first release of 2013. She then reprised the role of Everdeen in The Hunger Games: Catching Fire, the second installment in the Hunger Games film series. While performing the film’s underwater stunts, she suffered from an ear infection that resulted in a brief loss of hearing. With box office earnings of $864.9 million, the film remains her highest-grossing release. Stephanie Zacharek of The Village Voice believed that Lawrence’s portrayal of Everdeen made her an ideal role model, and wrote that “there’s no sanctimony or pretense of false modesty in the way Lawrence plays her”. She took on a supporting role in Russell’s ensemble crime drama American Hustle (2013) as Rosalyn Rosenfeld, the neurotic wife of con man Irving Rosenfeld (portrayed by Christian Bale). Inspired by the Federal Bureau of Investigation’s Abscam sting operation, the film is set against the backdrop of political corruption in 1970s New Jersey. Lawrence did little research for the part, and based her performance on knowledge of the era from the films and television shows she had seen. Geoffrey Macnab of The Independent praised her as “funny and acerbic”, especially for an improvised scene in which she aggressively kisses her husband’s mistress (played by Amy Adams) on the lips. Lawrence’s performance won her the Golden Globe and BAFTA Award for Best Supporting Actress, in addition to a third Academy Award nomination, her first in the supporting category.
2014–present: Established actress
The actress played Serena Pemberton in Susanne Bier’s depression-era drama Serena (2014), based on the novel of the same name by Ron Rash. In the film, she and her husband George (portrayed by Bradley Cooper) are a married couple who become involved in criminal activities after realizing that they cannot bear children. The project was filmed in 2012, and was released in 2014 to poor reviews. Lawrence then reprised the role of Mystique in X-Men: Days of Future Past, which served as a sequel to both X-Men: The Last Stand (2006) and X-Men: First Class (2011). The film received positive reviews and grossed $748.1 million worldwide, becoming the highest-grossing film in the X-Men series to that point. Justin Chang of Variety praised her look in the film but thought that she had little to do but “glower, snarl and let the f/x artists do their thing”. Lawrence’s next two releases were in the final parts of The Hunger Games film series, Mockingjay – Part 1 (2014) and Part 2 (2015). For the musical score of the former film, she sang the song “The Hanging Tree”, which charted on multiple international singles charts. In a review of the final film in the series, Manohla Dargis of The New York Times drew similarities between her rise to stardom and Everdeen’s journey as a rebel leader, writing: “Lawrence now inhabits the role as effortlessly as breathing, partly because, like all great stars, she seems to be playing a version of her ‘real’ self”. Both films earned more than $650 million worldwide.
Lawrence worked with Russell for the third time in the biopic Joy (2015), in which she played the eponymous character, a troubled single mother who becomes a successful businessperson after inventing the Miracle Mop. During production in Boston, the press reported on a disagreement between Russell and Lawrence that resulted in a “screaming match”. She said that her friendship with Russell made it easier for them to disagree, because people fight when they really love each other. The film was not as well received as their previous collaborations, but her performance was praised. Richard Roeper called her performance her best since Winter’s Bone, “a wonderfully layered performance that carries the film through its rough spots and sometime dubious detours”. She won a third Golden Globe Award, and was nominated for another Academy Award for Best Actress, becoming the youngest person to accrue four Oscar nominations. Lawrence began 2016 by providing the narration for A Beautiful Planet, a documentary film that explores Earth from the International Space Station. She then played Mystique for the third time in X-Men: Apocalypse (2016). The film received mixed reviews, with a consensus that it was overfilled with action that detracted from the story’s themes and cast’s performances. Helen O’Hara from Empire considered the film to be a letdown from the previous installments of the series and criticized the actress for making her character too grim. Despite this, Lawrence was rewarded with Favorite Movie Actress at the 43rd People’s Choice Awards.
For playing Aurora Lane in the science fiction film Passengers (2016), Lawrence was paid $20 million and received top-billing over co-star Chris Pratt. It features Pratt and her as two people who wake up 90 years too soon from an induced hibernation on a spaceship bound for a new planet. Critical reaction was negative, with a consensus that the film had a “fatally flawed story”, though the chemistry between Lawrence and Pratt was praised. Peter Bradshaw from The Guardian believed that “Lawrence is no passenger. She’s carrying this thing”, but Kwame Opam of The Verge considered her character to be of minimal importance. By March 2017, Lawrence’s films have grossed over $5.5 billion worldwide.
In October 2017, Lawrence will star with Javier Bardem, Michelle Pfeiffer, and Domhnall Gleeson in the drama mother! from director Darren Aronofsky, which focuses on a young couple whose lives are disrupted by the arrival of unexpected guests. She will also star that November as Dominika Egorova in the spy thriller Red Sparrow directed by Francis Lawrence. Lawrence and Amy Schumer have written a screenplay for a film in which they will star. She will star in Steven Spielberg’s film adaptation of photojournalist Lynsey Addario’s memoir It’s What I Do: A Photographer’s Life of Love and War, and will feature as Elizabeth Holmes, founder of the Theranos blood testing company, in Adam McKay’s film Bad Blood.
[https://www.facebook.com/JenniferLawrence], [https://en.wikipedia.org/wiki/Jennifer_Lawrence], [http://www.imdb.com/name/nm2225369/]