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Mia Wasikowska Bio
Mia Wasikowska (born October 1989) is an Australian Actress. She made her screen debut on the Australian television drama All Saints in 2004, followed by her feature film debut in Suburban Mayhem (2006). She first became known to a wider audience following her critically acclaimed work on the HBO television series In Treatment and she received a nomination for the Independent Spirit Award for Best Supporting Female for That Evening Sun (2009). She gained worldwide prominence in 2010 after starring as Alice in Tim Burton’s $1 billion-grossing Alice in Wonderland and appearing in the comedy-drama film The Kids Are All Right, a role for which she received the Hollywood Awards Breakthrough Actress Award.
In 2011, Wasikowska portrayed the title character in Cary Fukunaga’s adaptation of Jane Eyre, and starred in Gus Van Sant’s drama Restless and Rodrigo Garcia’s drama Albert Nobbs. She also starred in John Hillcoat’s crime drama Lawless (2012), Park Chan-wook’s psychological thriller Stoker (2013), Richard Ayoade’s critically acclaimed black comedy thriller The Double (2013), David Cronenberg’s satirical drama Maps to the Stars (2014), and Guillermo del Toro’s dark fantasy Crimson Peak (2015). She has received British Independent Film Award nominations for her performances in Jane Eyre and The Double, as well as a Saturn Award nomination for Stoker and a Gotham Independent Film Award nomination for her leading performance in Tracks (2013). As a director, she received a nomination for AACTA Award for Best Direction for her work on the 2013 anthology film The Turning. Wasikowska reprised her role as Alice Kingsleigh in Alice in Wonderland‘s sequel, Alice Through the Looking Glass, which was released on 27 May 2016.
Wasikowska landed her first acting role in 2004, with a two-episode stint on the Australian soap All Saints. She had just turned fifteen when she was cast in her Australian film debut, 2006’s Suburban Mayhem, for which she received a nomination for a Young Actor’s AFI Award. That same year, she also appeared in her first short film, Lens Love Story, in which she had no dialogue.
In 2007, Wasikowska appeared in the crocodile horror film Rogue, alongside Radha Mitchell and Sam Worthington. She observed quietly on the set; fellow actor Stephen Curry noted, “We didn’t hear a peep out of her for three weeks, which earned her the nickname of ‘Rowdy.’ ” She beat out nearly 200 other actresses for a part in the drama September, being cast on the spot by director Peter Carstairs following her audition. She then starred in Spencer Susser’s acclaimed short film I Love Sarah Jane, which premiered at the 2008 Sundance Film Festival.
At the age of seventeen, Wasikowska received her first big break role in the United States when she was cast as Sophie, a suicidal gymnast, in HBO’s acclaimed weekly drama In Treatment, after she auditioned for the role by videotape. The part required her to leave school in Canberra and move to Los Angeles for three months, while enrolling in correspondence courses. She earned critical acclaim for her performance as the troubled teenager treated by psychotherapist Paul Weston (Gabriel Byrne), which included praise for her excellent American accent. Wasikowska revealed in an October 2008 interview with Variety that she was something of a mimic as a child and that the large influx of American films and TV shows made it easier for Australians to pick up the accent.
The exposure from the show led to Wasikowska picking up her first American film appearances. She played the role of Chaya, the young wife of Asael Bielski (Jamie Bell), in Defiance. Director Edward Zwick cast her without having seen her in In Treatment, explaining to the Australian edition of Vogue, “Her inner life is so vivid that it comes across even when she’s being still.” Her next role was that of aviation pioneer Elinor Smith in Mira Nair’s 2009 biopic Amelia. In June 2008, due to her work on In Treatment, she was a recipient of an Australians in Film Breakthrough Award.
Wasikowska played the supporting role of Pamela Choat in the 2009 Southern Gothic independent film That Evening Sun, opposite Hal Holbrook. Director Scott Teems, seeking a young Actress who bore a resemblance to Sissy Spacek, initially balked at the casting director’s first suggestion of Wasikowska for the role, as he was adamant at casting all native Southerners for the sake of authenticity. However, after auditions with other actresses were unsuccessful, Teems relented and summoned Wasikowska for auditioning. She had only two hours to prepare, which she spent watching clips of Coal Miner’s Daughter online in order to quickly learn a Southern accent, and impressed Teems enough that she gained the distinction of being the only non-American actor cast in the film. She was nominated for a 2009 Independent Spirit Award for Best Supporting Female, which she Lost to Mo’Nique (Precious), though the film received a South by Southwest award for Best Ensemble Cast.
In July 2008, after a lengthy search, Wasikowska was cast as the eponymous heroine in Tim Burton’s retelling of Alice in Wonderland, alongside Johnny Depp, Helena Bonham Carter and Anne Hathaway. She sent a videotaped audition to casting directors in London, and her first live reading in Los Angeles occurred on the same day as her Evening Sun audition. After three more auditions in London – which saw her flying back and forth from Australia to England in just as many weeks – she was awarded the role. Burton cited Wasikowska’s “old-soul quality” as a catalyst in casting her: “Because you’re witnessing this whole thing through her eyes, it needed somebody who can subtly portray that.”
Wasikowska portrayed a nineteen-year-old Alice returning to Wonderland for the first time in over a decade after fleeing from an unwanted marriage proposal. Her affinity for the character played a part in her desire for the role, as she had read the Lewis Carroll books as a child and was a fan of Jan Švankmajer’s 1988 stop-motion film Alice. She also saw Burton’s version of the classic story as a chance to explore a deeper characterisation of Alice, to whom she felt young women her age could relate, for which she drew on personal experiences. “Alice has a certain discomfort within herself, within society and among her peers; I […] have definitely felt similarly about all of those things, so I could really understand her not fitting in. Alice also [is] an observer who is thinking a lot, and that’s similar to how I am.”
For Lisa Cholodenko’s indie comedy The Kids Are All Right, Wasikowska was cast as Joni, the bookish daughter of a lesbian couple (Annette Bening and Julianne Moore) who was conceived via artificial insemination. At her younger brother’s (Josh Hutcherson) request, she seeks out their biological father (Mark Ruffalo). During shooting, she successfully campaigned to have Joni wear pajamas in several home scenes, as a nod to what the Actress herself regularly did while home in Australia. She explained to Orlando Sentinel film critic Roger Moore, “[Joni’s] very comfortable in her place, with who she is. So I pushed to have her, whenever she was at home, in her pajamas. That’s comfortable! And that’s something I do.”
On 25 October, Wasikowska was honored with the Hollywood Awards’ Breakthrough Actress Award, which was presented to her by Dallas Howard page’>Bryce Dallas Howard, and she won the Australian Film Institute International Award for Best Actress on 12 December for her performance in Alice in Wonderland. According to Forbes, Alice in Wonderland was amongst the highest-grossing films of 2010 with $1.025 billion. As of January 2017, it is the 25th-highest-grossing film of all time.
From March to May 2010, Wasikowska filmed Cary Fukunaga’s adaptation of Jane Eyre, in which she starred as the title character opposite Michael Fassbender as Mr. Rochester. She began reading the novel after completion of Alice in Wonderland, during which she asked her agent if a script existed. Two months later, she received a script and was asked to meet with Fukunaga. However, since Fukunaga was unfamiliar with her prior work at the time and was therefore undecided about casting her, he later sought the opinion of director Gus Van Sant, with whom Wasikowska had previously filmed the 2011 release Restless. He said to BlackBook magazine in February 2011, “Gus wrote back: ‘Cast her.'” Her work on the film resulted in a scheduling conflict that forced her to withdraw from the lead in Julia Leigh’s 2011 Australian independent film Sleeping Beauty, and she was replaced by Emily Browning. Meryl Streep in her 2012 Golden Globe acceptance speech, announced: “How about Mia Wasikowska in Jane Eyre?”
Wasikowska turned down a part in Robert Redford’s 2011 film The Conspirator in order to play the female lead in Restless, which she filmed from November to December 2009. The portrayal of her character, a terminally ill sixteen-year-old, required her to crop her long hair. Though she was one of many names shortlisted for consideration in casting the role of Lisbeth Salander in David Fincher’s 2011 adaptation of The Girl with the Dragon Tattoo, she declined to audition for the part due to the time commitment involved with the production. From December 2010 to February 2011, Wasikowska filmed Rodrigo García’s Albert Nobbs, for which she was a last-minute replacement for Amanda Seyfried.
On 21 April 2011, Wasikowska was named to the Time 100, a listing of the world’s most influential people, which featured a brief essay written by Albert Nobbs co-star Glenn Close. In June, Wasikowska was invited to join the Academy of Motion Picture Arts and Sciences. In December, she was among a group of actors who filmed a series of shorts from The New York Times titled Touch of Evil, which honored the art of cinematic villainy.
In 2011, Wasikowska shot the small supporting role of Shia LaBeouf’s character’s love interest in John Hillcoat’s Lawless. Later in the year, she filmed the lead in Park Chan-wook’s English-language debut, Stoker, from 31 August to 23 October. Lawless premiered at Cannes in May 2012, while Stoker debuted at Sundance in January 2013. Wasikowska appeared in Miu Miu’s spring 2012 fashion campaign. In 2012, she made her second appearance in a Vanity Fair Hollywood Issue, this time on the front panel.
Filming of her next project, Richard Ayoade’s The Double, began in the UK in May 2012. In July, she shot Jim Jarmusch’s vampire drama Only Lovers Left Alive, in which she plays the younger sister of Tilda Swinton‘s character. Filming of Tracks, director John Curran’s adaptation of the Robyn Davidson memoir of the same name, began in October 2012 in Australia, with Wasikowska in the lead role. The film was screened in competition at the 2013 Venice Film Festival.
Wasikowska made her directorial debut on a segment of a film adaptation of The Turning, a collection of short stories by Australian author Tim Winton. The film premiered in August 2013 at the Melbourne International Film Festival. In July 2013, Wasikowska began filming David Cronenberg’s Maps to the Stars in Toronto; the film was released in 2014. She will play the title role in Sophie Barthes’ film adaptation of Madame Bovary, which began shooting on 30 September in Normandy, France.
Wasikowska replaced Emma Stone in the 2015 gothic romance Crimson Peak, directed by Guillermo del Toro, in which she starred alongside Tom Hiddleston and Jessica Chastain. Production commenced in February 2014, with a 16 October 2015 release date.
In May 2015, Wasikowska joined the cast of Cédric Jimenez’s upcoming historical thriller film titled HHhH, based on the novel of the same name, starring alongside Jason Clarke, Rosamund Pike, Jack O’Connell and Jack Reynor. Principal photography on the film began on 14 September 2015 in Prague and Budapest, which ended on 1 February 2016.
Wasikowska reprised the role of Alice in Alice Through the Looking Glass, the 2016 sequel to Alice in Wonderland. She will appear in the upcoming David Zellner western Damsel, alongside her Maps to the Stars costar Robert Pattinson. In February 2017, it was announced that she had filmed the upcoming thriller Piercing, directed by Nicolas Pesce and based on Ryu Murakami’s 1994 novel of the same name.