Angela Bassett (age: 60) is an actress best known as Tina Turner in the biopic What's Love Got to Do with It, Malcolm X, The Jacksons: An American Dream, The Rosa Parks Story, Notorious, American Horror Story and Black Panther.
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Angela Bassett Bio
Angela Bassett (born August 16, 1958) is an American actress and activist. She is best known for her biographical film roles, most notably her performance as Tina Turner in the biopic What’s Love Got to Do with It (1993), for which she was nominated for the Academy Award for Best Actress and won a corresponding Golden Globe Award. Bassett has additionally portrayed Betty Shabazz in both Malcolm X (1992) and Panther (1995), Katherine Jackson in The Jacksons: An American Dream (1992), Rosa Parks in The Rosa Parks Story (2002), Voletta Wallace in Notorious (2009) and Coretta Scott King in Betty & Coretta (2013). Bassett’s performance as Parks was honored with her first Primetime Emmy Award nomination.
Bassett began her film career in the mid-1980s, after earning a bachelor of arts degree from Yale University and a master of fine arts degree from drama school. In the 1990s, she appeared in films nearly every year. The 2000s saw a succession of films starring Bassett, with her appearing in at least one film every year. Bassett’s success has continued into the 2010s. Bassett earned nominations for her roles in films such as The Score (2001), Akeelah and the Bee (2006), Meet the Browns (2008) and Jumping the Broom (2011) and won awards for her performances in How Stella Got Her Groove Back (1998) and Music of the Heart (1999) among others.
In 2013, she had a recurring role on the FX horror series American Horror Story: Coven, earning her second Primetime Emmy Award nomination for her performance as Voodoo queen Marie Laveau. She returned for Freak Show, the anthology series’ fourth season, portraying a three-breasted woman named Desiree Dupree for which she received another nomination for Outstanding Supporting Actress in a Miniseries or a Movie. In 2015, Bassett returned for the fifth season Hotel portraying Ramona Royale, a famous movie star. In 2016, Bassett returned to the series’s sixth cycle, Roanoke, portraying an alcoholic actress named Monet Tumusiime, who plays struggling mother and former police officer Lee Harris in the My Roanoke Nightmare documentary.
In 1985, Bassett made her first television appearance as a prostitute in the TV movie Doubletake. She made her film debut as a news reporter in F/X (1986), for which she was required to join the Screen Actors Guild (SAG). Bassett moved to Los Angeles, California in 1988 for more acting jobs and gained recognition in the films Boyz n the Hood (1991) and Malcolm X (1992). For her portrayal of Betty Shabazz, she earned an Image Award. Despite the award, the movie was not entirely given positive reception, being referred to by critics as failing to “capture” the rage of Malcolm X’s autobiography. During production of Malcolm X, Spike Lee showed Bassett a tape of the exact moment when Malcolm X was shot during his assassination, since they would be filming the scene. Bassett called the recording “haunting”, but noted that after listening, she was “able to grab hold of the pain and re-create the scene.” Bassett felt it was important for her to get the assassination scene correct, and wondered how Betty “found the strength to keep going, to raise her family, to educate, to sustain them.” Malcolm X was released on November 18, 1992.
In 1992, Bassett played Katherine Jackson in The Jacksons: An American Dream. Bassett’s agents tried to discourage her from playing the role, given the negative reception that Michael Jackson had. She admitted to not caring about the negative view of members of the Jackson family at the time, citing her childhood fondness of the group as an example of her passion for the project and believed her “instinct” about the role had been correct once learning of the positive reviews the miniseries received after airing. Bassett had previously idolized the group growing up and said the Jackson family were positive influences on the African-American community for their successes. Bassett had previously worried that after her role as Betty Shabazz in Malcolm X, she would not find another role “as satisfying”. Bassett at the time of the film’s release expressed her belief that her career would never receive such high-profile roles again. “I think I have been incredibly blessed and it is probably just all downhill from here.”
Later that year, Bassett was cast as Tina Turner in What’s Love Got to Do with It (1993). Bassett returned to Los Angeles after Malcolm X filming was completed, and got a call for an audition for a movie based on I, Tina, Tina Turner’s memoir. Bassett won a Golden Globe and earned an Academy Award nomination for her portrayal of Turner. She was the first African-American to win the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy. Bassett obtained the role after beating Halle Berry and Robin Givens, but only had a month to prepare before filming began. She met Tina Turner twice, and was given advice by the woman she would be portraying from wigs and outfits to dancing styles. Turner also did Bassett’s make up, leading Bassett to call her “supportive” and her “biggest fan.” Bassett described to the Orlando Sentinel going to one of Turner’s concerts and crying profusely. According to Bassett, upon realizing that she knew some of Turner’s dance moves, she was “almost a river of tears.” Marc Bernardin of Entertainment Weekly wrote that Bassett “gave the performance of a lifetime” portraying Turner in the biopic.
Bassett starred in three movies in 1995, which were released with varied reactions from critics: Vampire in Brooklyn, Strange Days, and Waiting to Exhale (where she worked with author Terry McMillan). In Strange Days, Bassett played Lornette “Mace” Mason, a chauffeur and bodyguard. In Vampire in Brooklyn, she played Rita Veder, a tortured cop with a dark secret. She was excited to work with Eddie Murphy in Vampire in Brooklyn, as well as director Wes Craven. Bassett had previously worked with Craven on television shows. Bassett’s character in Waiting to Exhale, Bernadine Harris, was betrayed by her husband and in revenge she set fire to his entire wardrobe and vehicle, then sold what was left for one dollar. Bassett described the then-recently filmed party scene and her character in Waiting to Exhale to the Orlando Sentinel. Bassett said, “The thing is that my character is thinking about how her husband has left her. I have a cigarette in one hand, and I’m drinking. Basically, the four of us are sitting there talking about men and having some fun.”
In 1997 she starred as the President’s advisor in Contact. Stephen Holden of The New York Times opinioned that Bassett was “largely wasted as a Presidential assistant.”
In 1998, Fatboy Slim sampled Bassett’s voice from 1995’s Strange Days, specifically the line “this is your life, right here, right now!”, for his hit single “Right Here, Right Now”. Also in 1998, Bassett starred in How Stella Got Her Groove Back, once again collaborating with McMillan. She played Stella, a 40-year-old American professional woman who falls in love with a 20-year-old Jamaican man. She received praise for the performance, Stephen Holden of The New York Times calling Bassett’s character “the best thing in the movie” and writing that Bassett “portrays this high-strung superwoman with such intensity that she makes her almost believable.”
In 2000, Bassett turned down the lead role in Monster’s Ball because of the script’s sexual content; the role earned Halle Berry the Academy Award for Best Actress. The first film Bassett appeared in that year was Supernova, where she played a medical officer. Her other two films released in 2000 were Whispers: An Elephant’s Tale and Boesman and Lena. Todd McCarthy of Variety wrote that in Boesman and Lena Bassett “abandons her recently cultivated glamorous image to dig to the core of Lena’s fierce, probing, contentious, compassionate character.” Kevin Thomas of the Los Angeles Times wrote Bassett captured all of her character’s “mercurial mood swings” and both Bassett and her costar Danny Glover “rise to the challenge of these larger-than-life roles, just as you would expect.”
She appeared in the 2001 film The Score. Her character was in a relationship with Robert De Niro’s. She read the film’s script and became interested. She was then telephoned by director Frank Oz, who told her Robert De Niro would “like to meet with you”. Bassett met with De Niro and later realized the conversation was meant to break the ice before they started filming. In addition to The Score, that year she also had a role in the television film Ruby’s Bucket of Blood. The following year, in 2002, Bassett acted in Sunshine State and The Rosa Parks Story. In The Rosa Parks Story, Bassett was cast as Rosa Parks. Laura Fries of Entertainment Weekly wrote that Bassett “takes her physical strength and turns it inward to portray Parks” and expressed her belief that “lesser hands” would allow for misinterpretation or gross underplay of Parks’ personality. In addition to positive reception of her role, Bassett was seen as the “star” of the film due to playing the lead and earned a nomination for a Primetime Emmy Award for Outstanding Lead Actress in a Miniseries or a Movie for her performance.
In 2003, she read from the WPA slave narratives in Unchained Memories. In the 1930s, about 100,000 former slaves were still living during the Great Depression, of which 2,300 were interviewed part of the Federal Writers’ Project. The transcripts of the Slave Narratives collection of the Library of Congress is a record of slavery, bondage and misery. That year she also appeared in the film Masked and Anonymous, playing a mistress. Ann Hornaday noted her as among the “endless parade of actors who show up even for the briefest of appearances”.
In 2004 she had roles in the films The Lazarus Child and Mr. 3000. Mr. 3000 was a comedy in which Bassett costarred with Bernie Mac. When asked if the film was much easier to act in than the more intense roles she had in the past, Bassett responded, “This was much easier. This was a walk in the park. It was pretty easy compared to some of the roles Ive done that call for so much emotion or physicality.” At the time of the film’s release, she called both Bernie Mac and Laurence Fishburne, who she had worked with in the past, her “favorites” and said the pair were both “highly professional and extraordinarily talented.” The only film she appeared in during the following year was Mr. and Mrs. Smith in an uncredited voice role.
In the 2006 film Akeelah and the Bee, Bassett portrayed Tanya Anderson, the mother of the film’s lead, Akeelah, played by Keke Palmer. Bassett said she loved the story, viewing the lead character as someone that “could be anyone because each of us have had dreams and aspirations and wanting to be and needing to be supported and directed”, and described working with Palmer as being “really wonderful.” According to Bassett, the two bonded and that Palmer was as good an actress as any adult she had worked with. Bassett appeared in the television film Time Bomb the same year. Her role was seen as just an “extended cameo” by Brian Lowry of Variety.
Bassett provided her voice for the 2007 film Meet the Robinsons. When asked about her motives in taking on the role, Bassett said, “For one, it was a character I had never played before, which is always important to me, to keep me sharp. But it was also the desire to be part of a well-written movie that has something really positive to say about families and about all the different ways there can be to make a family.”
She appeared in the 2008 film Gospel Hill. Stephen Holden of The New York Times wrote Bassett’s “fiery self-possession brings a spark of passion to her stick-figure character”. She next appeared in Of Boys and Men, portraying Rieta Cole, the matriarch of a Chicago family who is killed in an accident in the beginning of the film and is seen through flashbacks for the remainder of the film. She and her costars Robert Townsend and Victoria Rowell were seen by Robert Gillard of LA Sentinel as doing wonderful jobs of “capturing the emotions of a family stricken by grief.” Bassett joined the regular cast of ER for the show’s final season (2008–2009). She portrayed Dr. Catherine Banfield, an exacting Chief of the ER who was also working to recover from the death of a son and to bring another child into her family. Bassett’s husband Courtney Vance played her television husband on ER as Russell Banfield. Bassett appeared in “Of Boys and Men”, a family film, in 2008. She co-starred alongside Robert Townsend, who played her husband in this movie. She had a role in Nothing but the Truth.
In the 2009 film Notorious, Bassett portrayed Voletta Wallace, the mother of The Notorious B.I.G. To portray Wallace’s Jamaican accent, Bassett conversed with her on and off the film set, and she practiced her accent using tapes that Wallace made. Bassett said she jumped at the chance to be part of the film after reading the script. She felt it did a “wonderful job of bringing” The Notorious B.I.G.’s “life to the page.” Bassett earned positive reviews for her performance in the film, noted as being one of the more experienced actors involved.
In 2010, Bassett lent her voice to portray First Lady Michelle Obama on an episode of The Simpsons entitled “Stealing First Base”. Bassett was seen as a “terrific” fill in for Obama. Bassett was also cast in the superhero film Green Lantern, released in 2011, as notable DC Comics character Amanda Waller. Bassett said working on the film was “a lot of fun” and that she enjoyed being a part of it. Despite this, Bassett was taken “out of her element” with the arrangements made that accommodated the computer-generated effects. She called it her first time doing “this kind of movie” but expressed interest in seeing what her scenes looked like. In 2010, Deadline.com reported that Bassett would have a role in One Police Plaza. In 2011, Bassett co-starred with Samuel L. Jackson in the play The Mountaintop a fictionalized depiction of the night before the assassination of Dr. Martin Luther King (Jackson portrays MLK) while at the Lorraine Motel. The critically acclaimed play by Katori Hall originally debuted in London’s West End in 2009 and went on to win the Laurence Olivier Award for Best New Play. The production opened on Broadway on October 13, 2011. In March 2011, it was reported that Bassett had signed up for a lead role in the ABC pilot Identity.
She also appeared in the 2011 film Jumping the Broom, playing the matriarch of a wealthy family. Bassett had a good feeling about the film from “the start”, and believed her character had a “real presence” in the film and felt she was active in the plot. Bassett’s and Loretta Devine’s performances in the film were called “in some ways too fierce for the room, offering nuances of hostility and hurt that the movie cannot really handle” and contributing to the “unevenness of the performances” in the film. Bassett and Devine were noted as “superb, distinguished actresses” by Kirk Honeycutt of The Hollywood Reporter, but were seen as having been “asked to overdo every moment with permanent scowls and body language more suitable to Mortal Kombat.” Despite this, her performance was given some positive attention, with Elizabeth Weitzman of New York Daily News saying Bassett “makes the movie hers”. The film was Bassett’s second time working with Devine, as the pair had worked together previously in Waiting to Exhale. Director Salim Akil said Bassett’s presence quietly makes a big difference.
Bassett was featured in the 2012 film This Means War, having been known to be attached to the film since two years prior. Tambay A. Obenson of IndieWire attributed Bassett’s lack of appearances in promotional material to her having a small role and her demographic not being targeted by the film. Bassett also appeared as herself in I Ain’t Scared Of You.
Bassett portrayed Coretta Scott King in the television film Betty and Coretta, which aired on February 2, 2013, continuing her trend of portraying real women. Bassett had previously played Shabazz in both Malcolm X and Panther, but instead played Coretta Scott King opposite to Mary J. Blige, who played Shabazz. Bassett was surprised to learn after researching that Coretta initially refused Martin Luther King, Jr.’s “advances” and called Mrs. King a “modern day iconic heroine.” While being asked about what drew her to play real-life women, Bassett answered “The respect that I have for their lives—their stories, vulnerabilities, strength, and resolve.” Bassett began filming her scenes during the latter part of the previous year. Mary J. Blige, when asked about what kind of experience it was to work with Bassett, said that she was “one of Angela’s biggest fans” while calling her an “amazing woman.” The film received mix reviews, including negative reactions from Ilyasah Shabazz and Bernice King, the daughters of Betty Shabazz and Coretta Scott King.
Bassett recently appeared as Secret Service director Lynne Jacobs in the action thriller Olympus Has Fallen, released in March 22, 2013. Bassett was reported to have a role in the film in June 2012, the month before filming began. In an interview with The Huffington Post, Bassett noted that there had “never been a female head of the Secret Service, much less a woman of color”. She called the decision to have a female African-American Secret Service director “a bold casting choice”. Overall, Bassett viewed the film as authentic. Bassett described working with Morgan Freeman as wonderful, but she admitted to being intimidated by him. She was impressed with the preparation of director Antoine Fuqua, who she said “was just preparation to the hilt” and expressed her interest in working with him again. She appeared in the 2013 film Black Nativity. She sang and it was seen as contributing to the film’s “blissful unreality”. She was asked by the film’s director, Kasi Lemmons, if she could sing and Bassett admitted to lying to get the role. She joked to reporter Jennifer H. Cunningham, “Yes, I can sing — you didn’t ask how well!” Singing in a film was a new experience for Bassett, who had never had to sing before and had always lip-synced.
In 2013, Bassett appeared on FX TV show American Horror Story: Coven as Marie Laveau, a voodoo witch. Bassett praised the writers, calling them “amazing”. Her agent approached Ryan Murphy about her having a role in the series and he told the agent that she was the person he had in mind for Marie Laveau. Bassett watched the previous seasons of the series before meeting with Murphy and found the writing “wonderful” and the characters “so realized”. Bassett’s performance earned her a nomination for the Primetime Emmy Award for Outstanding Supporting Actress in a Miniseries or a Movie. She returned to the show for its fourth season American Horror Story: Freak Show, playing Desiree Dupree, a three-breasted woman. She received another nomination for Outstanding Supporting Actress in a Miniseries or a Movie.
It was announced in May 2014 that Bassett would make her directorial debut with Whitney, a TV film based on the life of Whitney Houston, who Bassett had worked with previously. Bassett had previously expressed interest in directing the year before. It was announced in early June 2014 that Yaya DaCosta would play Houston in the film. Houston’s daughter, Bobbi Kristina Brown, insulted Bassett on Twitter for not casting her as her mother in the film, to which Bassett admitted in an interview that she had never thought about casting Brown. On June 11, 2014, Ruby Dee died from natural causes. Bassett had previously worked with her on Betty and Coretta and was reported to attend the Riverside Church memorial for Dee on September 20, 2014.
In the 2015 film Survivor, Bassett portrayed United States Ambassador to the United Kingdom Maureen Crane. In a negative review of the film, Mark Kermode lamented Bassett “appears from behind closed doors like a celebrity guest on Stars in Their Eyes.”
In March 2016, Bassett appeared in London Has Fallen, reprising her role as Lynne Jacobs. Bassett noted it was “the very first sequel I’ve ever done” and that she had been excited at the prospect of another film after the initial success of Olympus Has Fallen. In June 2016, the Human Rights Campaign released a video in tribute to the victims of the 2016 Orlando gay nightclub shooting; in the video, Bassett and others told the stories of the people killed there. Bassett appeared in American Horror Story: Roanoke. She also directed its sixth episode, which aired October 19, 2016. The episode marks the third time a woman has directed the show. Co-creator Ryan Murphy praised Bassett in an interview with E! News, saying he told her she would “‘do this big, big episode and you’re going to knock it out of the park,’ and she did. And I’ve seen it time and time again with these women that we brought into this directing world that they’re just killing it, and they’re working twice as hard because they know they have a lot to prove.”
In March 2017, Bassett appeared in “Ache”, an episode of the television series Underground. Executive producer and director Anthony Hemingway said her character “was written with Angela in mind” and that the entire cast came to see Bassett the day she filmed her performance. In May 2017, Bassett appeared in an episode of Master of None, portraying major character Denise’s mother Catherine. Lena Waithe wanted Bassett after being impressed by her previous work though was convinced she would turn down the role and said Bassett’s inclusion influenced the series drastically with “another layer” of tension. The writers of the series also favored Bassett for the role after seeing her performance in The Jacksons: An American Dream and related her character’s evolution in that feature to Catherine.
Bassett has been noted for portraying real life African-American women, as well as “strong women”. Bassett said in 2001 that she liked those roles and added: “That’s the image that I like to put out there, and those are the parts I’m attracted to. But not iron-fist kind of strong, just self-assured. I’m nice too.” She has turned down roles which she viewed as demeaning to her image. “This is a career about images. It’s celluloid; they last for ever. I’m a black woman from America. My people were slaves in America, and even though we’re free on paper and in law, I’m not going to allow you to enslave me on film, in celluloid, for all to see. And to cross the water, to countries where people will never meet people who look like me. So it becomes a bigger thing than me just becoming a movie star, and me just being on TV. So if you’re going to show every black woman as 400lb or every black woman as the prostitute on the street … But I have always maintained that [the roles] I cannot do because of the way I’m made up, or because of the way I think, I don’t begrudge that there is someone else who has no issues with that.